THE SOUNDSCAPE AS A TOOL FOR PROMOTING MUSICAL CULTURE IN THE CITY OF COTACACHI

EL PAISAJE SONORO COMO HERRAMIENTA PARA FOMENTAR LA CULTURA MUSICAL EN LA CIUDAD DE COTACACHI

Authors

  • David S. Diaz PUCE - PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR - IBARRA
  • Christian Eduardo Espin Liquinchano PUCE - PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR - sede Ibarra
  • Gabriela Orbe PUCE - PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR - IBARRA

DOI:

https://doi.org/10.29183/2447-3073.MIX2026.v12.n3.%25p

Keywords:

Soundscape, Cotacachi, identity, musical culture

Abstract

This research addresses the sensory dimension of the urban environment of Cotacachi, using the Daumal method as its central axis. The study is based on the technique of visual deprivation to enhance the auditory acuity of the participants, allowing for an in-depth analysis of the acoustic complexity of the territory. Through an analytical structure that links categories such as public space, musical culture, and heritage identity, the interaction between the subject and various architectural and natural landmarks, such as the main church and San Francisco Park, is examined. The document details the implementation of qualitative assessment instruments, including scales designed to measure emotional impact, environmental aesthetics, and participants' ability to identify specific sound marks. It also explores the segmentation between natural and artificial acoustic sources present in strategic nodes and streets with a high heritage identity. The primary objective is to determine how urban configuration and social dynamics influence the perception of the landscape, establishing a technical basis for the assessment of the region's intangible auditory heritage.

Author Biographies

  • David S. Diaz, PUCE - PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR - IBARRA

    Architect graduated from the Pontifical Catholic University of Ecuador - Ibarra

  • Christian Eduardo Espin Liquinchano, PUCE - PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR - sede Ibarra

    Architect Christian Espin, graduated from the Pontifical Catholic University of Ecuador – Ibarra.

  • Gabriela Orbe, PUCE - PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR - IBARRA

    Architect, Master's degree from the Pontifical Catholic University of Ecuador - Ibarra

References

Daumal i Domènech, Francesc. El arquitecto ciego: método Daumal para estudiar el paisaje sonoro en la arquitectura. A: Garcia Escudero, Daniel; Bardí Milà, Berta, eds. “IX Jornadas sobre Innovación Docente en Arquitectura (JIDA'21), Escuela Técnica Superior de Arquitectura de Valladolid, 11 y 12 de Noviembre de 2021: libro de actas”. Barcelona: UPC IDP; GILDA, 2021. ISBN: 978-84-9880-969-5, p. 403-413

Humazapas. (s. f.). Recuperado 29 de noviembre de 2024, de https://humazapas.org/el-sitio-en-espanol

Kang, J. & Schulte-Fortkamp, Brigitte (red.) (2016). Soundscape and the built environment. Boca Raton: Taylor & Francis

Vista de Editorial. (s/f). Edu.pe. Recuperado el 11 de marzo de 2026, de https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/844/845

Published

2026-10-07

How to Cite

THE SOUNDSCAPE AS A TOOL FOR PROMOTING MUSICAL CULTURE IN THE CITY OF COTACACHI: EL PAISAJE SONORO COMO HERRAMIENTA PARA FOMENTAR LA CULTURA MUSICAL EN LA CIUDAD DE COTACACHI. (2026). Mix Sustentável, 12(3). https://doi.org/10.29183/2447-3073.MIX2026.v12.n3.%p