THE SEEN AS OBSCENE: VIOLENCE AGAINST WOMEN IN ROBERT ALTMAN’S FILM ‘SHORT CUTS’

Autores

  • Ricardo Sobreira Universidade Federal dos Vales do Jequitinhonha e Mucuri - UFVJM

Palavras-chave:

Adaptation, Intermediality, American Literature, Minimalism.

Resumo

This study aims at analyzing Robert Altman’s film Short Cuts (1993), the equivocal and disputed adaptation of nine short stories and a narrative poem by American author Raymond Carver. The investigation, however, centers specifically on Altman’s revisitation of Carver’s short story “So Much Water So Close to Home” (1981). The study conducted here examines negative responses to the intermedial transposition of the narrative concerning violence against women. Grounds are provided to support the contention that the gender issues are due to the different styles of both Carver and Altman, the change in the mode of engagement (cf. HUTCHEON, 2006, p. 22-27) on the part of the audience and a certain “anti-corporeality” (STAM, 2005) reaction to graphic scenes involving gender-based violence. In order to substantiate such concepts, it is argued that although Short Cuts changes portions of the adapted text, it re-accentuates its psychological crises and gender antagonisms by means of a cinematic construction of visually shocking images and shifting perspectives.

Biografia do Autor

Ricardo Sobreira, Universidade Federal dos Vales do Jequitinhonha e Mucuri - UFVJM

Docente Adjunto – Faculdade Interdisciplinar em Humanidades Professor Permanente do Mestrado Profissional Interdisciplinar em Ciências Humanas - MPICH

Doutor em Letras pela UNESP

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Publicado

2017-07-25

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